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Art and design librarians of the world, read on, you have nothing to lose but your innocence

The second edition of The Handbook of Art and Design Librarianship edited by Paul Glassman and Judy Dyki is out now.

Copy of Hamilton & Saunderson

Since the publication of the first edition of this handbook, the world of art and design libraries has been rocked by rapid advances in technology, an explosion in social media, the release of new standards and guidelines, shifts in the materials and processes of contemporary art, innovative developments in publishing models, expanding roles of librarians, new perspectives surrounding library spaces, and the evolving needs and expectations of art and design students.

Revised and updated with mostly new chapters, The Handbook of Art and Design Librarianship provides an accessible guide to librarians working in art and design environments who need to support and anticipate the information needs of artists, designers, architects and historians who study those disciplines.

The authors said,

“The handbook delineates roles and responsibilities for art and design librarians, offers guidelines for materials and collections management, reviews best practice in teaching and learning, and presents innovative approaches to knowledge creation, library spaces and promotion and sustainability.”

Clive Phillpot, former Director of the Library at the Museum of Modern Art, New York, said,

“The contributors to this book are writing from the front line. So, art and design librarians of the world, read on, you have nothing to lose but your innocence.”

The book is out now and will be essential reading for students taking library and information science courses in art librarianship, special collections, and archives, as well as practising library and information professionals in art and design school libraries, art museum libraries and public libraries.

Paul Glassman is Director of University Libraries and Adjunct Instructor of Architectural History and Design at Yeshiva University.

 Judy Dyki is Director of Library and Academic Resources at Cranbrook Academy of Art and Editor of Art Documentation: Journal of the Art Libraries Society of North America.

Foreword by Clive Phillpot, Fermley Press, London (formerly Director of the Library, Museum of Modern Art, New York).

The book is published by Facet Publishing and is available from Bookpoint Ltd | Tel: +44 (0)1235 827702 | Fax: +44 (0)1235 827703 | Email: facet@bookpoint.co.uk | Web: www.facetpublishing.co.uk. | Mailing Address: Mail Order Dept, 39 Milton Park, Abingdon, Oxon OX14 4TD. It is available in North America from the American Library Association.

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Making the case for open licensing in cultural heritage institutions

Facet Publishing have announced the release of Open Licensing for Cultural Heritage by Gill Hamilton and Fred Saunderson.

9781783301850

In the digital era, libraries, archives, museums and galleries are no longer constrained by the physical limitations of their buildings, analogue books, manuscripts, maps, paintings and artefacts. Cultural collections now can be safely distributed and shared globally. To ensure that the benefits of this ability to share are realised, cultural institutions must endeavour to provide free and open access to their digital collections. The tool for achieving this is open licensing.

Featuring real-world case studies from diverse education and heritage organizations, Open Licensing for Cultural Heritage digs into the concept of ‘open’ in relation to intellectual property. It explores the organizational benefits of open licensing and the open movement, including the importance of content discoverability, arguments for wider collections impact and access, the practical benefits of simplicity and scalability, and more ethical and principled arguments related to the protection of public content and the public domain.

The authors said,

“Openly sharing our knowledge, experience, content and culture for free is not a new concept. Sharing is an innate and natural part of our human character. Forward looking, inclusive, modern, relevant cultural heritage organizations must play a central role in supporting free, open access to culture at a global level. This is possible, practical and achievable with considered and informed application of an open licensing framework. Our book will provide readers with the insight, knowledge, and confidence to make a case for and implement an open licensing approach.”

Gill Hamilton is Digital Access Manager at the National Library of Scotland where she leads on access to the Library’s extensive digital collections, and oversees its resource discovery and library management systems.

Fred Saunderson is the National Library of Scotland’s Intellectual Property Specialist where he has responsibility for providing copyright and intellectual property advice and guidance, as well as coordinating licensing and re-use procedures.

 

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