Category: Museums

Art and design librarians of the world, read on, you have nothing to lose but your innocence

The second edition of The Handbook of Art and Design Librarianship edited by Paul Glassman and Judy Dyki is out now.

Copy of Hamilton & Saunderson

Since the publication of the first edition of this handbook, the world of art and design libraries has been rocked by rapid advances in technology, an explosion in social media, the release of new standards and guidelines, shifts in the materials and processes of contemporary art, innovative developments in publishing models, expanding roles of librarians, new perspectives surrounding library spaces, and the evolving needs and expectations of art and design students.

Revised and updated with mostly new chapters, The Handbook of Art and Design Librarianship provides an accessible guide to librarians working in art and design environments who need to support and anticipate the information needs of artists, designers, architects and historians who study those disciplines.

The authors said,

“The handbook delineates roles and responsibilities for art and design librarians, offers guidelines for materials and collections management, reviews best practice in teaching and learning, and presents innovative approaches to knowledge creation, library spaces and promotion and sustainability.”

Clive Phillpot, former Director of the Library at the Museum of Modern Art, New York, said,

“The contributors to this book are writing from the front line. So, art and design librarians of the world, read on, you have nothing to lose but your innocence.”

The book is out now and will be essential reading for students taking library and information science courses in art librarianship, special collections, and archives, as well as practising library and information professionals in art and design school libraries, art museum libraries and public libraries.

Paul Glassman is Director of University Libraries and Adjunct Instructor of Architectural History and Design at Yeshiva University.

 Judy Dyki is Director of Library and Academic Resources at Cranbrook Academy of Art and Editor of Art Documentation: Journal of the Art Libraries Society of North America.

Foreword by Clive Phillpot, Fermley Press, London (formerly Director of the Library, Museum of Modern Art, New York).

The book is published by Facet Publishing and is available from Bookpoint Ltd | Tel: +44 (0)1235 827702 | Fax: +44 (0)1235 827703 | Email: facet@bookpoint.co.uk | Web: www.facetpublishing.co.uk. | Mailing Address: Mail Order Dept, 39 Milton Park, Abingdon, Oxon OX14 4TD. It is available in North America from the American Library Association.

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Making the case for open licensing in cultural heritage institutions

Facet Publishing have announced the release of Open Licensing for Cultural Heritage by Gill Hamilton and Fred Saunderson.

9781783301850

In the digital era, libraries, archives, museums and galleries are no longer constrained by the physical limitations of their buildings, analogue books, manuscripts, maps, paintings and artefacts. Cultural collections now can be safely distributed and shared globally. To ensure that the benefits of this ability to share are realised, cultural institutions must endeavour to provide free and open access to their digital collections. The tool for achieving this is open licensing.

Featuring real-world case studies from diverse education and heritage organizations, Open Licensing for Cultural Heritage digs into the concept of ‘open’ in relation to intellectual property. It explores the organizational benefits of open licensing and the open movement, including the importance of content discoverability, arguments for wider collections impact and access, the practical benefits of simplicity and scalability, and more ethical and principled arguments related to the protection of public content and the public domain.

The authors said,

“Openly sharing our knowledge, experience, content and culture for free is not a new concept. Sharing is an innate and natural part of our human character. Forward looking, inclusive, modern, relevant cultural heritage organizations must play a central role in supporting free, open access to culture at a global level. This is possible, practical and achievable with considered and informed application of an open licensing framework. Our book will provide readers with the insight, knowledge, and confidence to make a case for and implement an open licensing approach.”

Gill Hamilton is Digital Access Manager at the National Library of Scotland where she leads on access to the Library’s extensive digital collections, and oversees its resource discovery and library management systems.

Fred Saunderson is the National Library of Scotland’s Intellectual Property Specialist where he has responsibility for providing copyright and intellectual property advice and guidance, as well as coordinating licensing and re-use procedures.

 

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Practical guidance for valuing objects in cultural collections

Facet Publishing have announced the release of Freda Matassa’s new book Valuing Your Collection: A practical guide for museums, libraries and archives

Assigning a financial value to a cultural object is always difficult, as there is no right answer. It is one of the many tasks of the curator, whether they work in a gallery, museum, archive or library, yet it is a role for which few have had any traChambers Cat 2.02.qxdining and that many approach with a lack of confidence. Even if there is a profound knowledge of the subject matter, there may be insufficient experience in the market for cultural objects. However, although it may not be easy, it has to be done.

In Valuing Your Collection, collections management expert Freda Matassa examines the issues around valuing objects in cultural collections, describing current practice in museums, libraries and archives, and giving practical advice on how to assign values. Matassa looks at the difference between value and worth and at how cultural value can be translated into monetary terms. She outlines the arguments over whether financial values should be assigned at all and provides guidance on how to approach a valuation by making comparisons and using a step-by-step process for which templates for a wide range of collections are provided.

Matassa said,

Valuation is fraught with difficulties for cultural collections. Finance is not their core business. Curators have little or no training and are reluctant to mention money as it may detract from significance. My book is designed to give the non-specialist confidence in their decision making.

Freda Matassa FRSA MA (Hons) DipAL DipEd is a well-known UK expert on collections management who advises, teaches and lectures internationally. Currently Director of Matassa Toffolo, a museum-standard art consultancy, former Head of Collections Management at Tate Galleries and co-founder of the European Registrars Conference, she is expert adviser on several European projects for museum standards and to the Minister of Culture on Immunity from Seizure. She was named one of the Top 50 Women to Watch in the arts and is the author of Museum Collections Management (Facet, 2011) and Organizing Exhibitions (Facet, 2014).

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